The Field
Written by Tran Quang Quy
Translated in English by Unknown
Explicated by Ramesh Chandra Mukhopadhyaya
Again I hear the
grass field at night overflowing profusely with moonlight
Somewhere footsteps stuck in thick mud
The aroma of hay blows across the field
The paddies
Like square insignia stamping human lives into muddy soil
Drop of sweats passing through generations
Spreading into shirts of dew, fading eyes of loved ones
The earth giving
birth to uncalculated seasons
Where my grand parents lay still
Their figure leave their legacy in the rice seeds
The farmers go through their lives
Passing on a blunt hoe like a jewel
All of them harvested this field to gether
And this field has harvested them
I have opened my life
On my fathers plough slaving away
And deep down there in me there exists a sacred field with
no harvest season
My mother cultivates and harvests kindness
The richness distilled from the suffering heart
She has released me onto the surface of the land
As if I were a seed to continue the generation of furrows
Greening
greening a belief in emerald
grass
Drifting away endlessly on human field
The first line opens
with—Again I hear etc. The very word again
suggests that the poet was away for a long time did not hear what he is
hearing now. Again the poet hears the grassfield overflowing with moonlight.
That shows that the poet was away from the sylvan environment for a long time.
And now he is back to the sylvan
environment which is dear to him. Here
he can hear the grassfield overflowing with moon light.The poet has the ear for
the silent voice of the grassfield. This helps the readers to hear the
inaudible.The first line of the poem is musical withal. We hear a sound and we see a grassfield overflowing
with moonlight. This is an instance of synaesthesia. Does not moonlight stand
for imagination? Does imagination have a free play where grassfields are abound?.
The poet can see with his minds eye
footsteps stuck in the muds..The footprints in the mud make the
landscape real before our eyes.The grass land is muddy. There must have been
rains a little earlier. The aroma of hay blows across the field.The aroma of
hay enhances the power of smell in the
readers. The aroma of hay perhaps tells us that there is a nearby paddy field
and the paddies there have been already reaped.
The paddies are the emblem that informs us straight that
human life is inalienably connected with muddy soil.. Man has to earn his
bread through hard toil in the muddy
soil of the field. Muddy soil is sacred; it has treasure in it for man to
retrieve with the sweat of his brow. And the poet describes the human race as a
flow of sweat passing from one generation to another.What are men but shirts of
dew. This is an instance of metonymy. The sweat passes through the pores of earth
and makes it muddy. Does not the sky sweat and the rains come upon the earth?
And in turn the earth gives birth to many seasons----a season for sowing and a
season for harvesting, a season for hard work and a season for merriment and
so on.
It is in this earth that our forefathers have been buried.
The rice seeds are their gifts. We have inherited the seeds the art of
agriculture from them. And we must nurture them. We must properly use our
inheritance from them to grow more food. Men in their elements are farmers and
they spend their whole lives in
cultivating crops.Then they they pass on the hoe which digs the earth and
extract the wealth therefrom. The blunt hoe is a jewel. This is a flat criticism
of the values of the market oriented world. It is a pity that while which is
essential for life has no value in the market, a piece of diamond which has
nothing to do with the sustenance of life is sold for millions of dollars. Our
value system should change. The blunt hoe has to deemed to be a jewel handed down to
us by our forefathers. And the forefathers had worked together to dig the earth and plough the field. There was a community life
among them. But this is not all:
All of them have
harvested the field together
And this field has harvested them
Thus what is cause is itself the effect of effect and what
is effect is itself the cause of cause. The idea of a first cause that
something that does not itself need a cause is a myth and hence
the efficient cause and the material
cause cannot be distinguished from one another. The producer and the produced
cannot be separated from each other as well. The harvester harvests and the
harvester got harvested by the harvest. And the process is being carried on
without any beginning and it will be carried on without any end. These are flat
repudiation of market economy.
The poem now navigates. In an autobiographical strain the
poet remembers how opened his life on his fathers plough slaving away. And the
poet seems to be proud of it. Because the concepts of master and slave and
employer and employee have been exploded here. The father also stands for the
time honoured rule of hard work and harvesting.
The field without also reminds one of the field within. This
reminds a Bengali reader of a Bengali poet namely Ramprasad sen who laments
that human heart lies fallow’ Had it been cultivated gold could be mined from
the same. In Indian religion often the body is likened to a field and the same
should cultivated by the mind. Thus the imagery of the sacred field within with
no harvest season is archetypal.
The poem is clinched with the two lines:
My mother
Cultivates and
harvests kindness
Thus the poem is singularly significant on many counts. It
reminds of Thomas Gray:
Let not ambition mock their useful toil
Their homely joys and destinies obscure
Nor Grandeur hear with a disdainful smile
The short and simple annals of the poor
The boast of heraldry and pomp of power the affluence of big corporate houses like HSBC or Microsoft –in short ambition is an accidental part of history. The real history
of man narrates how the precious hoe is handed over from father to son and how
the mantra of hard-work is inherited by
son from his father Human history is one of uninterrupted flow of karma. The
harvest is derived from muddy earth. This might remind one of the Lotus Sutra.
The lotus has its roots deep down into mud But the flower floats on the water.
Mere production of food grains are not enough. The human society must be
overflowing with the milk of kindness So cultivation of the field without is
not enough. The cultivation of the field within is also a must. And it is the
mothers who have cultivated and
harvested kindness and love. Our mothers are the role model to cultivate the
field within or the heart. The grass field overflowing with moon light is the
symbol of a brave new world to be forged where economic wealth overflows with
human love and kindness.
But this is not all. The mother suffers and it is from that suffering that the poet sprang . Any creation whatever is preceded by sufferings. And it is suffering alone that distils richness. With love and kindness for all, the mother suffers and creates . A child is born. The child is the effect of a cause and yet he is the seed for bringing about fresh effects. The seed has to continue generation of furrows or trenches in the ground. There is polysemi in this imagery.The farmer is the efficient cause . The ground is the material cause. The harvest is the final cause. The poet or the child was the effect of mothers suffering. But the effect itself becomes the cause for furrowing fields as well to continue the human race. Thus no one cause is responsible for any event or effect and effect whatever could be the cause of different effects. Again the mother here is symbol the earth and earth is the symbol of the earth. This mother cult and the earth cult seem to be recurrent feature in modern Vietnamese poetry We came across this motif in My Mother by poet Phan Thi Thanh. The seed or the poet is to continue the generation of furrows—greening and greening. Any thing be it a seed or a man or anything else exists through action , And the seed exists through greening but it has an a priori belief or inherited belief in emerald grass which stands for freshness and youth. The belief in a brave new world and activity of greening have no end . They go on though the individuals pass away. Thus despite change in history a pattern persists. The green field overflowing with moon light might remind one of Bodhichitta which persists let change do whatever it can.
But this is not all. The mother suffers and it is from that suffering that the poet sprang . Any creation whatever is preceded by sufferings. And it is suffering alone that distils richness. With love and kindness for all, the mother suffers and creates . A child is born. The child is the effect of a cause and yet he is the seed for bringing about fresh effects. The seed has to continue generation of furrows or trenches in the ground. There is polysemi in this imagery.The farmer is the efficient cause . The ground is the material cause. The harvest is the final cause. The poet or the child was the effect of mothers suffering. But the effect itself becomes the cause for furrowing fields as well to continue the human race. Thus no one cause is responsible for any event or effect and effect whatever could be the cause of different effects. Again the mother here is symbol the earth and earth is the symbol of the earth. This mother cult and the earth cult seem to be recurrent feature in modern Vietnamese poetry We came across this motif in My Mother by poet Phan Thi Thanh. The seed or the poet is to continue the generation of furrows—greening and greening. Any thing be it a seed or a man or anything else exists through action , And the seed exists through greening but it has an a priori belief or inherited belief in emerald grass which stands for freshness and youth. The belief in a brave new world and activity of greening have no end . They go on though the individuals pass away. Thus despite change in history a pattern persists. The green field overflowing with moon light might remind one of Bodhichitta which persists let change do whatever it can.
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