A Vietnamese
Poem The Universe and I written by Poet Ngo Tu Lap and translated
into English by Martha Collins and Tu Lap himself explicated by Ramesh Chandra
Mukhopadhyaya
The Poem
THE
UNIVERSE AND I
Translated from the
Vietnamese by Martha Collins and Ngo Tu Lap
The universe and I
Two illusory lands-
Were both born in 1962?
Perhaps the past and future have joined together
Perhaps I’m not even a speck of dust
But sometimes I believe the lies
Of a scar left by the war
Of noble and base desires
Of my hair falling like trees in a rotten forest
Every instant brings proof of sand and dust-
In silent dreams, I start to fly
With the universe, through that forest
The
title of the poem- The Universe and I- sets forth a dichotomy. Apparently, the
readers might infer from the surface of the poem that the poem should dwell on
the battle between the poets self and the world. But the first three lines of
the poem seem to say no to our speculation. Commonly we are made to believe
that the universe has been there since time immemorial and it will continue to
exist through all futurity, let men come and go. But the first stanza of the
poem puts forward a different cosmology and creation myth. The poet says that
he and the universe were born at the same time. They were born together in
1962. This is indeed true. If men were not there, how could there be the world?
The universe is born only when an
individual is born. And surely, there are as many universes as there are human
beings. Apparently this is extreme subjectivism. May be it might allude to
Berkley, the English philosopher and yet this is an undeniable truth which puts
forward the theory of reception aesthetics. Where is the text? Where is the
poem- The Universe and I? In fact there are as many interpretations of the poem
as there are readers. And one wonders if there could be myriads of interpretations
of a text . Is the decoding of the text at all possible? And that which does
not make sense to human perception does not exist. Does the text at all exist?
Does the universe at all exist? But if the text were not there how could there
be the reader. So ours is an existence which baffles interpretation. And hence
the poem states – the universe and I two illusory lands. Of course, the I stands
for the mind or the self and the universe stands for the matter or the non
self. In fact one wonders whether the mind and the matter exist at all. Because
it is the mind that testifies matter and it is matter or body that stands
witness to mind. But is there any third person who stands witness to either
mind or matter or both? None. So, you never know whether the mind or matter
exist at all; hence the note of interrogation at the end of the first stanza.
The mention of the particular time when the speaker and the universe were born
together has added a pointedness to the
philosophical reflection. This reminds us of the pointedness of description in
Pre-Raphaelite art. The relation between the universe and the I is dubious.Are
they two discrete units? Or else are they two and yet one? This reminds an
Indian reader of Dvaitaadvaitavaad .
While a painting manifests itself in space, any verbal composition progresses
through time. That is why every word, every sentence could suggest a meaning
which might be cancelled or modified by the words that follow the word or the
sentence. This is why there is always suspense and a drama inherent in any piece
of poetry made with words.
The
second stanza of the poem seems to support our speculation. Just as the
universe and the I meet when a child is born, similarly time past and time
future are joined together when a child is born. The readers are as it were face
to face with a confluence. It is said that the place where two rivers meet
generates immense energy and the readers are impelled here to encounter the
generation of immense energy. The poet’s perspective shifts suddenly. He looks
upon the multiverse as given and deems himself to be a part of the boundless
multiverse. And in this context, he is infinitesimally small and the multi verse is
infinitesimally big and the poet exclaims that he is not even a speck of dust
and even smaller than dust in comparison with the vastness of the universe. The
poet juxtaposes the vision of the infinitude with the contingent. True that in
the context of the vastness of the universe no event however significant to man
is of any importance . Even the birth of a star and the death of a star are of
no consequence in the context of the vastness of the multiverse. But we are
humans . We live in the contingent. We are made to believe in the lies . We
cannot deny or forget the aftermath of wars. The poet cannot deny the scar left
by the war. And when such cataclysms take place in the world of man, man cannot
but develop a sense of morality whereby the base could be distinguished from
the noble. On another level, man has to be reconciled with his fate . He
becomes a stoic. The poet believes that his hair falls like trees in a rotten
forest. Just as the hair falls and the
body of man changes every minute every second , similarly nothing is permanent
in the world . The world that we experience also changes every second .The
flower that blooms in the morning is doomed to wither away in the evening. When
it gets rotten, it falls into the place where dead things gather subject to
putrefaction. Thus this is a rotten world where we fly along with the universe
that was born with us. The poem is charged with a cynicism which is time and
again.
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