Out of my
own pocket
By Martha
Collins
Explicated by Dr Ramesh Chandra Mukhopadhyaya
Light drifts
from stalled
Aegean ships
to the bare table
Where pages
rise in a brief
Breeze then fall open palms
After a
prayer. What
is required this time? Paid
my dues. Pain was referred
to another
place. Point by point
Settled in
by the leaded
Window. Wind
out of my sails
Then I
considered the shape
I was in.
Out of my own
Pocket, I said . offering pure
Air. All
done with tiny mirrors
Sewn into
the cloth
Nothing now
but to turn
The page,
and then I hear In my
Book the
voice not mine but
Mine the
slipping down
Again , the
slope shaft strip, old
bones preserved, pressed
into the
coal. Not the girl
not even the
wailing mother
harbored
rage trailing
the
shimmering ships and not
the ships or the whispering
but a woman
turning away
from the
crowd taking her keys
from her
pocket, a woman
on her way
on her way home
Explication
The title of the poem Out of my own pocket is curious itself. Pocket means
a hollow commonly sewn into a garment.Pocket could there fore be a metaphor for
the empty space sewn into the garment in
which ones precious things and money and the like could be kept. The phrase Out
of my own pocket tells us that the poem to follow should be spoken in first person,
Secondly the speaker tells us that it is
from the speakers own resource something
has been spent or invested.One wonders what could the speaker spend and to what
end !
The poem now
opens with light drifting from stalled Aegean ships to the bare table. The Aegean sea connects a host of large or narrow sea
passages and shallow gulfs where the
primitive vessels could ply. The Aegean
sea witnessed the first ships on
its waves as early as around 3500 BC.
The Aegean ships are symbolic of the primitive spirit of adventure and maritime
trade of ancient Greece in particular and man in general. The Aegean sea
however reminds us of the sad story of king Aegeus .His son Theseus went to
kill Minotaur. Minotaur was a fierce monster. If he succeeded in his adventure he must raise
white sail so that his father Aegeus could understand that his son was coming
back home victorious. But it is a pity that Theseus forgot to raise the white
sail on his way back home. And Aegeus saw the black sails coming back to Athens.
Aegeus thought that his son was outdone by the monster. Out of grief he leaped
into the sea and embraced his death. The sea where king Aegeus jumped to death
is the Aegean sea. A stalled Aegean ship must allude to the sad death of Aegeus
or a stunted Aegean civilization or Bronze Age civilization around the Aegean
Sea . The stalled ship implies that it is motionless on account of scanty wind.
The stalled ship is there in front of the poet. But light drifts from the
stalled ship to the bare table.The ship might stand for the body of the poet or
the being of the poet. The body might suffer from asphyxia or oxygen hunger.
The want of wind might stand for inspiration of the poet. The poets being could
be a stalled ship that suffers from lack
of inspiration.The speakers awareness is
the light.The awareness or the light drifts from the stalled ship to the bare table or the naked reality about
. The whole story could be summed up in
an imagery of light drifting from a picture of a stalled ship in a book to the
bare table on which the book is placed.Why does the light drift? Perhaps there
is a sudden breeze that moves the flame of the lamp .The pages of the book rise in a brief breeze and
then fall. The book now looks like opened palms after a prayer.People pray with
folded hands. After prayer we have our palms open ready to give and ready to
ask for or accept any boon whatever.What do open palms require or ask for? The
speaker tells us that the dues have been paid. Pain has been referred to
another place. Point by point.The book could be as well the metaphor of the
poets being. Its pages flutter in a sudden breeze of inspiration . But the
inspiration does not linger. The open palms could ask for inspiration.The window
panes are made of small pieces of glass set with lead. A touch of medievalism.
The window panes are shut. So the wind becomes shut out. The wind is out of the
sails. The shocks from the world without are shut out.Then the speaker
considers the shape he or she was in. He was in the stalled ship which could
not move as because there was no wind from without. Now the windows have been shut.The
speaker becomes a yogi shutting out the sights and sounds of the world
without.Now the speaker invokes inspiration from within.The speaker says that
he/she offers pure air out of his/her
own pocket. And all is done with tiny mirrors sewn into the cloth. A mirror is
a highly polished surface that reflects something else faithfully. Putting out the
mirror that was in the pocket the speaker surely looks at it hard and looks
behind and looks beside.And the polished mirror sewn into cloth is a
protection. It protects one from the freaks of nature or the freaks of the
world without. So now the speaker turns a new leaf of her life. Life is itself
a book. One who lives composes the book of his/her life. Turning the page the
speaker hears the voice not his or hers and yet hers. Therein the speaker
discovers both the self and the nonself in her. The self is the observer , The
self observes the nonself slipping down the slope shaft and getting stripped.Getting
stripped the speaker discovers herself as sheer bones.The self observes the
nonself as a bundle of bones—bones preserved and pressed into coal.Coal is the
fuel that could kindle a fresh life. But the speaker finding her non self metamorphosed into coal becomes the self
itself rid of all accidental attributes of rhe worldly life.The speaker is not
the girl not even the wailing mother harbored rage trailing This is where the
speaker discloses her identity. The speaker was a girl. She is a bereaved
mother.The stalled ship was a metaphor to describe herself. She was a harboured
rage trailing, now metamorphosed into coal that could ignite a conflagration.
But that is the state of her nonself. Her self rid of all worldly attributes
takes her key out of her pocket, a woman,on her way, on her way home. In fine
we have our home away in some indeterminate place. We have locked our home and
come for a sojourn in this world donning the nonself to participate in the weal and woe of
life---the Aegean sea.
This is a stark
philosophical poem littered with surrealistic imagery where discrete images are
juxtaposed.
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