Wednesday, 3 June 2015

A Poem by Mai Van Phan in Vietnamese Explicated by Dr Ramesh Chandra Mukhopadhyaya

Text of the Poem

A  ricefield  clear of grasses
A buffalo sleeping deeply
Rice seedlings not yet transplanted

Explication


An instance of word painting in three lines. There is a landscape with inbuilt contrast. There is a ricefield clear of grasses. That indicates that seedlings will be sown there presently.In contrast there is another plot of land where seedlings are still there. But they are ready to be transplanted. There is the readiness of a part of the landscape to receive and readiness on another part of landscape to give. This is a situation dramatic enough.The readers are moved to experience such a scene. Any  situation where someone is ready to give away and where someone is ready to receive has Gods plenty . But  the ricefield which is ready to receive will receive the wealth only to multiply the same thousand fold and distribute  the same among countless hungry men. That is, here is one to receive a gift only  to proliferate the same for the well being of  his or her fellowmen. There is a buffalo sleeping. It speaks of an agriculture where animal energy instead of machine is used. The buffalo ploughs the top soil of the plot of land that shall  receive the seedlings already groomed in the nursery to be transplanted.This might refer to the philosophy of causality.No one event could be the sole cause of another event.To grow paddy, first seedlings have to be grown and then transplanted to another field clear of grass. But this is not all. The field ready to receive the seedling must have its top soil ploughed.And of course the buffalo ploughs it. Thus there are multiple causes behind an event. And of course the scene of a ricefield clear of grasses and a plot of land with seedlings and the buffalo –all of them remind us of a man or  a farmer who is behind all these make- up of Nature.Just as a poet hidden in the privacy of thought sings hymns unbidden till the world is wrought to sympathy with its hopes and fears which it heeded not so does the farmer use the resource of Nature to feed his fellowmen without being seen in the present scene of cultivated Nature.From another standpoint, the figure of the buffalo fast asleep in a landscape where seedlings are ready to be transplanted and the field ready to receive transplantation  evokes in us  a mood of abundance and abandon where rest and work mingle and are identical. A lot of work is already done. A lot of work is yet to be done.But who complains if some rest is taken? Rest is itself a part of work and work is itself a part of rest. The distinction between work and rest is man made. The idyllic scene of the landscape is a criticism of capitalist way of life and production.But this is not all. The scene is stamped with Vietnamese characteristics.Wet paddy cultivation dates back to the Neolithic period. And even today vast tracts of agricultural land could be perhaps seen in the Red River and Mekong delta Dong lua thang canh co bay. Vast agricultural lands where storks can fly with stretched wings. And in the scene depicted in the poem no house building  or factory obstructs our eyes and the land is stretched as far as the eye goes. These paddyscapes are well irrigated by a network of canals developed and these canals  help the farmers to transport their crops from one part of the land to another. And surely ploughing is a sacred event in Vietnam. Earlier the king used to plough the first furrow. And expecting great harvest this first ploughing occasion  is perhaps earmarked with prayers to Tho Dia or the god  of earth as well as Than Nong or the god of agriculture and Than Lua god of rice plants. And there is lot of festivity. So the vast landscape ready for cultivation in  the  poem under perusal is a holy sight full of potential wealth and prosperity.And the buffalo sleeping in that calm of the landscape ready to bring forth wealth is not merely the portrait of a water buffalo.. The buffalo indicates that there is water nearby. And Vietnamese legends tell us that a water buffalo is a cursed angel. The water buffalo  is at least to an extent the image of Vietnam. The Vietnamese people used it to be Sea Game symbol. Their ancestors engraved the figure of a buffalo on many a piece of stone. The buffalo is friendly hard working irrespective of scorching heat or bitter cold. The people of Vietnam are as hardworking and pleasant. The buffalo sleeping in a landscape where the nursery is ready to give away the paddy seedlings and  a vast land ready for receiving, with a buffalo enjoying the situation could put in ones mind that Vietnam is at the door of spectacular  economic development and the present word painting of Mai Van Phans poem could function as the symbol of a Vietnam growing rich and prosperous.

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