Wednesday, 13 December 2017

Mahabharata 1
             By
Sankar Mukherjee
              &
Dr. Ramesh Chandra Mukhopadhyaya

India during the days of the Mahabharata

Sauti comes to Naimisharyanya

During the time of the Mahabharata India was different to look at. May be 2000/2500 years back India abounded with wilderness laden with greenery, deep forest crowded with fearsome snakes & animals & littered with lakes & rivers & rivulets. Despite that ,the wilderness in India was never as terrible as it is in many places in the world now. Because here & there amidst the woods there were Ashramas where people gathered to enquire into their self. The Mahabharata opens with an Ashrama in the forest known as Naimisharyanya. Eleven thousand people practiced hard in quest of their innerself there. We can just imagine how a human habitation , which had eleven thousand residents could be. Was it not as large as a township? And yet it was an Ashrama in the heart of a forest ,And curiously enough we can just have a notion about the people of those times. Eleven thousand men gave up their material ambition in quest of their self. And this is unique even if it were a figment of imagination, Well the poet of the Mahabharata could imagine like that. This is unique in world history & world literature.
The son of Lomharshana, Ugrashravas/Sauti arrived at Naimisharyanya. Ugrashravas was well verse in the Puranas ------myths and annals of ancient India. Although we feel that the age of Mhabharata is very ancient to us .The sages of Mahabharata were as interested in history as we are & they would deliberate on the history of their culture that harked back to further past .This shows that when we reach the time of Mahabharata we can have a vision of a remote past of the society of the Mahabharata .The sages were as much conscious of the past of their culture as we are, In Naimisharyanya Saunaka, the kulapati had been guiding eleven thousand pupil in their practising austerity for last twelve years. The names may be allegorical as Saunaka means listener .The Saunaka or Kulapati were observing penance with his eleven thousand pupils .There was a saint called Lomharshana had the power of great hearing .He heard things with all his heart & his hair would stand at their end. In short he was a an ideal listener who heard things with his mind body & senses .He used to narrate what he heard & learnt ,with such great power that whoever heard it ,would be in the melting mood .His son Ugrashravas similarly had the power of strong audibility & speech as a narrator. Naimisharanya is a famous holy place for meditation presently in U.P.The divine saints welcomed Ugrashravas with great spirit & surrounded him in reverence  .After the exchange of cordial greetings , the holy saints took their seats ,Sauti also took his seat. After a while feeling that Sauti had enough rest the holy saints asked him about his journey. After asking them as to their spiritual development,Sauti said that he is coming from the “sarpa satra /snake sacrifice a yajna performed by Emperor Janamjejaya,where he heard the great epic the Mahabharata composed by Vyasa or Krishna Davaipayana. Krishna Davaipayana was borne in an island & he was black in complexion. At the site of snake sacrifice Vaisampayana the great pupil of Vyas recited the Mahabharata.Sauti was atravelling mendicant .He had ben to “samanta panchaka. There the incarnation of Lord Vishnu, Parashuram observed ancestor worship or “tarpana" at a lake. Samanta Panchaka Is also famous for the great war between Kurus & Pandavas. The name Sauti by the by means a son of a Kshatriya woman & a  Brahamin father.The Mahabharata is a history .It is also considered as a fifth Vedas .It contains everything that is required by a dynamic society .It contains social rules , religious rules ,science ,political rules, principle of war, wisdom & discourse on art & culture. It is said what is not available in the Mahabharata is not available in Bharata.The saints performed their rituals.Their after the Sauti asked them what they like to listen.The sages said that they were curious to hear the amazing narrative composed by Vyasa which was highly praised by gods & sages. The said work is a marvelous built of words ,diction, language ,style & manner.

Mahabharata 2

 by

Sankar mukherjee & Dr. Ramesh Chandra Mukhopadhyaya

The story of the creation


Sauti told that, there is a supreme absolute being. He created the Multiverse.He is the supreme controller.He always leads the whole creation along  the road to moksha or liberation. The Lord revealed His presence in all things in the Srimad Bhagavad-Gita through Viswarup Dasrshan
 Universal form of the Omni -form.He is the Consciousness worshipped by all .He is the Om or primordial sound.He is always delightfully manifest as joyfulness. He is the most precious possession with the emancipated soul. I bow Him before narrating the deligent generous work of Vyasa.
Poet's in the world will narrate the said epic in the manner Vyasa composed. The Mahabharata is already established as a book of knowledge in the three worlds. The Mahabharata is full of beneficial verses that depict the practise of Swargaloka or heaven  & Martyaloka or earth. For that reason the said epic is adorable to all the knowledgeable persons.
During the phase of Genesis the world was deeply dark.In the phase of creation an embryo showed up. The said embryo was growing up in an extra huge & unworldly way, into which a strange soul entered & equally spread. As the author of the multiverse the Brahmaa,who was  born on his own entered into the embryo . Gradually the first Prajapati, the Lord & the protector of the creatures, the Daksha the great king took birth from Brahmaa.
The cosmological evolution speaks of  the realistic imagination of the poet .
In the process of Genesis Daksha gave birth to seven sons, Afterwards twenty-one Prajapatis were born .
The unknown & the unknowable Purasha is real to the sages.
Ten Viswadevas, twelve Suns, eight Vasus, two Aswinikumaras, yakshas, Saadhyas, Pisaachas ,Guhyakas, Pitris ,& the wise,the Brhaamarshis, were born from aforesaid indeterminate Purasha.
Thereafter Rajarshis, water, heaven, earth, the air, the skies, the directions, the year, the sessions, the months, the fortnights, the days, the nights, showed up.
Whatever else besides them sprang from the Purusha  entered the cosmic embryo.
All that we perceive, is  movable or immovable is destined to dissolve during the
Ultimate destruction, the Pralaya of the Multiverse.
Just as when a season appears nature decks herself in the self same apparels as when the season came earlier, similarly when Time begins all things show up as they were before.
The wheel of worldly life or Sansaara has been revolving like this through eternity.
Later on thirty three thousand, thirty three hundred, & thirty three gods showed up. This is the creation story in  brief.
Mahabharata 3 by Sankar mukherjee & Dr . Ramesh Chandra Mukhopadhyaya
 Vedyasa & the open ended structure of the Mahabharata
Gradually villages ,towns show up. Vedavysa had learnt through yogic practice  all  that contemporary knowledge had to offer .He was proficient in three secret  practices such as killing others without employing  any physical tools, enthralling others with sheer power of the mind & so on .Besides he knew ail the four Vedas ,Yoga ,art &  craft. Dharma, Artha & Kama. He knew how Dharma holds the society ,how the  economic activities enrich the society, & how physical passion sustains the society through the ages .He knew the mundane disciplines that are associated with social control. He has enshrined history as well as various types of scriptures with their exegesis in the great book the Mahabharata .He has also pointed out the characteristics of the book he composed. The great sage Vedavyasa has delineated the Mahabharata in an abridged  form as well as in an elaborate way. In fact the scholars need to peruse the  book  in both ways. This section of the Mahabharata shows that the Mahabharata is conscious of itself. It dwells on its ambiguous structure. Different readers read the narrative beginning  at different points.That is, the  Mahabharata resembles an expressionist drama. And is a meta literature or a work of art that reflects on how it is forged. A few Brahamins will narrates the Mahabharata by bowing to the Lord Narayana. Others will begin the reciting of the Mahabharata with the Aasatika episode ,or some others would read the Mahabharata beginning
with the Uparicharvasu episode, with all their attention The scholars explained the Mahabharata in different ways. Some only mug the epic some others explain it .In the light of there experience ,knowledge & wisdom . The son of Satyabati ,Vyasa  divided  the timeless Vedas into four volumes. Thereafter he composed the said grand epic. In the past the
resolute, religious & heroic divine sage Vyasa on the request of his mother Satyabati & intelligent Bhimsha, following the old custom,  raised issues in the wombs of the widow wives of King Vichitravirya .He produced three fire like sons The sons might be  compared to the three house hold fires. After causing birth to   Dhritarashtra, Pandu & Vidura, Vyasa went back to his
Ashrama for practising austerity. On completion of the life time of Dhritarashtra etc.,at the several requests of  the mighty king Janamejya  Vedavyasa asked his disciple Vaisampayana to narrate the Mahabharata. Vaisampayana was seated next  to the Vyasa during the snake sacrifice in the Janamejya premises. Everyday when the  rituals were over during the snake sacrifice
,Vaisampayana used to narrate the Mahabharata to Janamejya & his courtiers. Vedavysa  principally narrated  how Kuru family increased & prospered. He also dwelled on  the religious nature of Gandhari ,intelligence of Vidura & the patience of Kunti .Vedavyasa also focused on the glory of Lord Krishna, the faithfulness of the Pandavas, notoriety of Durydhana. 


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