Mahabharata – 135
by
Sankar Mukherjee
&
Dr Ramesh Chandra Mukhopadhyaya
Aadivamsavatarana Parva
Aadivamsavatarana Parva
King
Dushmanta set out for hunting.In course of his hunting he went from forest to
forest. And all of a sudden he chanced upon the ashrama of the great sage
Kanva. To meet the most magnificent & energetic sage Kanva, the king kept his troops along
with horses & elephants at the gate of the ashrama.He said to his troop
that he was going to meet the great sage Kanva who had all his passions under control. The king entered into
the ashrama in all humility doffing his sceptre & crown.The environment of
the ashrama was such that all his thirst,hunger & tiredness were done away
with. And the king was very much delighted.
It
is in the Dushmanta episode that the Mahabharata gives us a vivid description
of an ashrama of the Mahabharata period.Despite the fact that the Mahabharata
society had cities & palaces, the quantum of forest in the land was not
negligible.True that the forest gave shelter to countless snakes & animals.
But the forests were peppered with plenty of ashramas.On one level the forest
is the antithesis of an ashrama.While in the forest the beasts prey on one
another in the ashramas they were friendly to one another.Peace & love
reigned there.
It
is a pity that India today has less forest cover than what could be ideal.In
the days of the Mahabharata towns & cities were not rare. But forests were
very much there with its flaura & fauna.Even today there are very dense
forests in India. But unlike today whatever dense forest it might be it had
some ashrama.In other words how much the forest was there it was a net work of
ashramas as well where sacrificial fire were lighted. The ashramas were loud
with chants of mantras & a class of men with spiritual bent of mind used to
live in the ashramas. And their contact with urban dwellings was very close. Even
kings used to stay there for a time. Naturally ancient Indian culture had a
very close contact with Nature & rural culture as well as tradition. When
we read the Mahabharata we find a mosaic of
the tradition & modernity of the Mahabharata age.
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